Whom to see Saturday edition

In true style of doing things at the last minute, here's the proposed course for Sat at Lollapalooza. Apologies for the lack of detail. Trust me on these though:

Miike Snow (1:30, Vitaminwater)

Miike Snow - Cult Logic <-- Winner

Santogold (5:30, Playstation)

LA Riots (6:30, Perry's)

Diplo (7pm, Perry's)

Major Lazer - Hold the Line

transitions well with (duh)...

The Trashmen - Surfin' Bird

Dick Dale - Miserlou (Pulp Fiction intro)

Yeah Yeah Yeah's (8:30 Bud) or get ready for afterparties

Afterparties.

I'm going to throw this out there too because it's too tight.

Holy Ghost! - I will come back (Classixx Version)

Oh hey non-paragraph form. Let's throw a Teddy III shot in here for good measure.



Oh La Roux, why did you cancel on Lolla?

La Roux - Quicksand (Beni's sinking at 1.56 mix)

A path divided

I'm in the midst of an mp3 purge. I've taken on a lot of blog bulk and I hate deleting music, but I don't want to capitulate into getting a new computer / upgrading the HD / etc. So while sifting through this, I found a bunch odd stuff (maybe next post) but I also came upon and idea for auto-DJing. The concept is basically you preprogram your sets and this program would capture your track paths as a sort of roadmap as to how to mix automatically without you there. The result would be a database of cues and mixes done by yourself, or your favourite DJ's or randoms. You'd have all of your songs that you like in a list and the program puts the same sort of effects, loops, cutoffs, etc that, say, Devlin and Darko use. Granted this is all cheating, but instead of downloading mixes done by folk that sound the same every time, you are playing music that is can be more entertaining based on how the DJ's have done there various performances. A sort of choose your own adventure.

Example:

From a Soulwax mix (Radio Soulwax #5), these 3 tracks work together well.

Junkie XL - Check Your Basic Groove
New Order - Confusion
Super 2000 vs. Daft Punk - Around the World

However, I would not put 'Around the World' there, but rather work Gerri into Confusion's bassline:

Gerri and the Holograms - Gerri and the Holograms
Santogold - Anne (Switch Mix)
Santogold - LES Artistes (XXXchange mix ft: Movado) <-- Fantastic

which come from the Diplo Dub of Santogold. Now, since these both come from mixes themselves, they have 'paths' of their own, it's just that you forked your way from one to another. More popular songs will have more deviations (like Around the World) and that path might lead you to some other interesting (you know if a guy likes Daft Punk as much as I do, he might have something else up his sleeve that I'm unaware of).

This is what I'm getting at:


I don't know, it sounds like an interesting product if someone were to make it, but what DJ would sign themselves up for it to give their secrets away and who would judge what makes a good transition? Ok, how about something smooth now instead (again a la Radio Soulwax #5)...

Dennis Edwards - Don't Look Any Further
TLC - Unpretty

Oddly enough, on the mix, these two precede the Junkie XL track from above.

Playing Live Pt.2

After reading this thread, which is a discussion stemming from Jesse from MSTRKRFT, it got me thinking about the electro scene even more. Personally, I am indifferent to an extent of the 'integrity' of the show as long as it is what I consider good music. If I start to analyze what the group does and they start losing their mystique, then I start to feel disappointed because I feel that I could then do it at home or something. I don't have or use Ableton, so if an artist incorporates it (or uses it as their entire backbone) then I'm ok with that. Maybe that's how they appear to the majority of non-musicians of the world that just want to hear what they play. Should I care more? I'm perfectly fine with where I stand. If I started to use some of the equipment that Soulwax uses, would their stuff not sound as good to me anymore, or would I appreciate them more?

After seeing Pitchfork this weekend through the lens of trying to appreciate live shows more, maybe I'm finally getting it. I didn't see Cut Copy to compare them to the likes of the Dodos or Ghostface, but seeing these people play more familiar instruments (including a trashcan) makes me appreciate them more. Is it the risk of making a mistake what makes a show more live? If I program a sequencer incorrectly on the fly, does that make it more live? The guitarist from the Dodos, who is very talented by the way, was using a boomerang pedal or sampler to loop his sound and create layers of himself. It was neat, but not really novel. I was digging it; though if I did something like that through an electronic drum set programming a drum machine and not using traditional sounds, would that fly? I've noticed that at these electro/techno/house shows that there are a lot of visuals. Who wants to see guys on MIDI controllers pushing buttons? Kraftwerk stands perfectly still while their background goes nuts, Daft Punk has their pyramid, and VJ's are common at more noteworthy DJ events. I get the feeling that if you are watching these folk, you want to see them doing something really involved with their hands otherwise you're under the suspicion that it's all premade. That may be true, but people (including me) don't understand the technicality of all the tricks of using Ableton. People see an instrument that has strings and get it (guitar, violin, zither). Same goes for the chambers open at one end with skins on the top. I wonder what people's reaction was to seeing Giorgio Moroder live for the first time (not that he played many shows), although back then the concept of programmed sounds was rather foreign I'd think.

I'm trying to defend electronic music in general, but in doing so I'm re-discovering what I already know in that there's a lot of shit out there that basically sounds the same because it's easy to do. Mimicking the Rolling Stones requires a decent amount skill, whereas redoing Chemical Brothers requires finding the correct sounds and saving the sequence... you just won't be original and you will sound like you're just playing their track. Maybe that's it; you can't properly equate a live rock/hip-hop show to a live electronic show; the rules are not the same.

By the way, I just got this Santogold Diplo Dub in the mail. Some of it is pretty good. First two play in order:
1. Aretha Franklin - Save Me
2. Devo - Be Stiff
Santogold - Guns of Brooklyn
Dixie Cups - Iko Iko